I think most folks, especially those involved with the Tarot, are in love with the Moon. I know I certainly am, and have always been greatly drawn and enchanted by the Moon for many reasons, but primarily I think, because it rules the subconscious, associated strongly with psychic powers, and the intuition.
Recently the super moon appeared in the Summer sky, which was a beautiful sight to behold. I felt it's power and influence this year more than years past. Perhaps it's my age, and exactly where I am at this point in my life. Being in a third phase of womanhood, means that we could find ourselves clinging to elusive dreams, and it means that we must have even more faith and hope, for the future. The subconscious dream world, and the Star of Hope will lead the way.
This may sound like a vague and rather ethereal explanation, but the moon-goddess Hecate is very elusive, being the goddess of enchantment, and ruler of the mysterious, unknown, and subconscious underworld, but the light over her head brings illumination and wisdom.
Hecate is the moon-goddess, and augers a time of confusion, gestational changes,
and uncertainty. She represents the three changing phases of life, and
embodies the Wise Woman, and the opportunity to become the Crone.
At this three phase of life, of the Crone, it is important to pay attention to one's dreams, both ones we have while sleeping, and when we are awake.
As well, Tarot readings are now a vital tool. Tarot helps to deepen understanding, and the experience of the unconscious world, providing insight and guidance through the murky waters of the subconscious.
 |
| La Mariposa - Butterfly Woman, Egg Tempera on Board - Catherine Meyers - 2011 |
La Mariposa, Butterfly Woman
By Clarissa Pinkola Estes
…To the visitors, a butterfly is a delicate thing. “O fragile
beauty,” they dream. So they are necessarily shaken when out hops Maria
Lujan. And she is big, really big, like the Venus of Willendorf, like
the Mother of Days, like Diego Rivera’s heroic-size woman who built
Mexico City with a single curl of her wrist.
And Maria Lujan, oh, she is old, very, very old, like a woman come
back from dust, old like old river, old like old pines at timberline.
One of her shoulders is bare. Her red-and-black manta, blanket dress,
hops up and down with her inside it. Her heavy body and her very skinny
legs made her look like a hopping spider wrapped in a tamale. She hops
on one foot and then on the other. She waves her feather fan to and fro.
She is The Butterfly arrived to strengthen the weak. She is that which
most think of as not strong: age, the butterfly, the feminine.
Butterfly Maiden’s hair reaches to the ground. It is thick as ten
maize sheaves and it is stone gray. And she wears butterfly wings-the
kind you see on little children who are being angels in school plays.
Her hips are like two bouncing bushel baskets and the fleshy shelf at
the top of her buttocks is wide enough to ride two children. She hops,
hops, hops, not like a rabbit, but in footsteps that leave echoes.
“I am here, here, here…
“I am here, here, here…
“Awaken you, you, you!”
She sways her feather fan up and down, spreading the earth and the
people of the earth with the pollinating spirit of the butterfly. Her
shell bracelets rattle like snakes, her bell garters tinkle like rain.
Her shadow with its big belly and little legs dances from one side of
the dance circle to the other. Her feet leave little puffs of dust
behind. The tribes are reverent, involved. But some visitors look at
each other and murmur “This is it? This is the Butterfly Maiden?” They
are puzzled, some even disillusioned. They no longer seem to remember
that the spirit world is a place where wolves are women, bears are
husbands, and old women of lavish dimensions are butterflies.
Yes, it is fitting that Wild Woman/Butterfly Woman is old and
substantial, for she carries the thunder world in one breast, the
underworld in the other. Her back is the curve of the planet Earth with
all its crops and foods and animals. The back of her neck carries the
sunrise and the sunset. Her left thigh holds all the lodge poles, her
right thigh all the she-wolves of the world. Her belly holds all the
babies that will ever be born.
Butterfly Maiden is the female fertilizing force. Carrying the pollen
from one place to another, she cross-fertilizes, just as the soul
fertilizes mind with night dreams, just as archetypes fertilize the
mundane world. She is the centre. She brings the opposites together by
taking a little from here and putting it there. Transformation is no
more complicated that that. This is what she teaches. This is how the
butterfly does it. This is how the soul does it.
Butterfly Woman mends the erroneous idea that transformation is only
for the tortured, the saintly, or only for the fabulously strong. The
Self need not carry mountains to transform. A little is enough. A little
goes a long way. A little changes much. The fertilizing force replaces
the moving of mountains.
Butterfly Maiden pollinates the souls of the earth: It is easier than
you think, she says. She is shaking her feather fan, and she’s hopping,
for she is spilling spiritual pollen all over the people who are there,
Native Americans, little children, visitors, everyone. She is using her
entire body as a blessing, her old, frail, big, short-legged,
short-necked, spotted body. This is woman connected to her wild nature,
the translator of the instinctual, the fertilizing force, the mender,
the remember of old ideas. She is La voz mitológica. She is wild woman
personified.
The butterfly dancer must be old because she represents the soul that
is old. She is wide of thigh and broad of rump because she carries
much. Her grey hair certifies that she need no longer observe taboos
about touching others. She is allowed to touch everyone: boys, babies,
men, women, girl children, the old, the ill, and the dead. The Butterfly
Woman can touch everyone. It is her privilege to touch all, at last.
This is her power. Hers is the body of La Mariposa, the butterfly.
- Clarissa Pinkola Estes
Excerpt from Women Who Run With The Wolves
